hollygohardly:

She walks in beauty - Lord Byron She walks in beauty, like the nightOf cloudless climes and starres skies;And all that’s best of dark and brightMeet in her aspect and her eyes;Thus mellowed to that tender lightWhich heaven to gaudy day deniesOne shade the more, one rady the lessHad half impaired the nameless graceWhich waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet express,How pure, how dear their dwelling-place.And on that cheek, and o’er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with all below,A heart whose love is innocent!

hollygohardly:

She walks in beauty - Lord Byron

She walks in beauty, like the night
Of cloudless climes and starres skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies

One shade the more, one rady the less
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

Anonymous asked: i can't even with this blog! my little fangirl heart explodes with feelings! Audrey's so jhdsgjhsjghjsfdghjsdfhgjdhfgjkhg Gosh i need help LOL! long live for FairestLadyOfAll

Am I really reading this?? Oh my god, I’m flattered, thank you so much! I know, Audrey is an angel and she’ll be forever in our hearts.

hollygohardly:

Audrey Hepburn and Albert Finney on the set of Two for the road, 1967.

hollygohardly:

Audrey Hepburn and Albert Finney on the set of Two for the road, 1967.

missingaudrey:

HEY REMEMBER BACK THEN IN 1961 WHEN BREAKFAST AT TIFFANY’S CAME OUT AND HOLLY GOLIGHTLY DID NOT SAY ANYTHING AFTER PAUL VARJAK SAID “I LOVE YOU” AND THEN 50 YEARS LATER SOMEONE THOUGHT IT WOULD BE FUN TO MAKE A SCREENCAP OF HOLLY SAYING “THANKS” AND THEN WE ALL GOT REALLY MAD BECAUSE THAT SHIT NEVER HAPPENED AND PEOPLE THINK IT’S COOL WITHOUT NOTICING IT ISN’T TRUE BECAUSE THEY DIDN’T EVEN WATCH THE MOVIE?

tagged → #bless this forever
hollygohardly:

 Ann: I don’t seem to mind. Do you?

hollygohardly:

Ann: I don’t seem to mind. Do you?

hollygohardly:

”Anthony and Audrey developed a really good relationship, and he brought out a facet of her personality I had never seen before. At times, they acted like two young kids. I would say Tony seemed like a brother to Audrey and watched over her. If he saw her sitting by herself on the set, maybe looking a little sad, he would jump in, shaking her chair until he had her laughing, or getting her a cup of tea, telling her a joke - anything that would perk up her spirits.”- Bob Willoughby

hollygohardly:

Anthony and Audrey developed a really good relationship, and he brought out a facet of her personality I had never seen before. At times, they acted like two young kids. I would say Tony seemed like a brother to Audrey and watched over her. If he saw her sitting by herself on the set, maybe looking a little sad, he would jump in, shaking her chair until he had her laughing, or getting her a cup of tea, telling her a joke - anything that would perk up her spirits.”- Bob Willoughby

Anonymous asked: oh my! your blog's heaven! :')

Thank you so much!!!!


”My first dream was to be a ballet dancer. I didn’t know about success at all. You can only hope to get a combination of happy work and a happy life” - Audrey Hepburn
My first dream was to be a ballet dancer. I didn’t know about success at all. You can only hope to get a combination of happy work and a happy life” - Audrey Hepburn

Audrey Hepburn on the set of Sabrina, photographed by Dennis Stock, 1954.


Audrey Hepburn and Fred Astaire on the set of Funny Face, photographed by Richard Avedon, 1957

Audrey Hepburn and Fred Astaire on the set of Funny Face, photographed by Richard Avedon, 1957